Here is the equipment list Chloe and Vicky have put together of the equipment we will use when filming:
We will need:
- A high quality video camera to record professional looking footage. This Nikon camera will be provided by the school, and has special features such as auto focus, which will mean that we can record our footage much faster as we won’t need to keep focusing the camera when filming. To turn on, you turn the dial on the top of the camera from off to on. Then to use the camera, you must focus it by either turning the hand focuser manually, or ensuring it is set to auto focus and pressing the focus button which is just above the right side of the screen and then to record, just press the red button. The camera switches off every 30 seconds to save battery power which can be slightly irritating when you are trying to position the camera, but can be turned back on by flicking the dial around the red button to the left. The camera will only allow you to record 10 minutes of footage at a time, which is far more than needed when filming shots for film work, as each shot is usually only around 3 to 5 seconds long. The reason there is a maximum about of footage you can record at once is so that if you accidently leave the camera recording, it will not completely fill up your memory card.
- A Zoom H1 Handy Recorder so we can record higher quality diegetic sound. The camera has the ability to record sound, but is not great quality and can only record from the perspective of where the camera is. It is small and thus portable, so it can be easily carried about the set. It only requires two AA batteries so that if it runs out of charge it can quickly be re-charged. It also has an input in port so that earphones can be put in the input out hole, and one of us can listen to exactly what the microphone is recording. It has an X and Y recording technique which means that it will record sound from all angles. To record, simply turn on the microphone by switching the button on the bottom of the right side of the microphone to on. You will know the microphone is on as it will say ‘Hello’. To record, simply press the big red button in the middle.
- A Rode Video Mic to help increase the quality of the sound recorded by the Zoom recorder. To do this, simply plug the Rode mic into the ‘input in’ port on the recorder. The microphone comes with an additional boom stick so that the sound can be recorded more closely to the diegetic sound than simply the sound from the camera. It will also increase the quality of the sound than the recorded as it is simply just a higher quality microphone and will reduce and muffle from the recorder.
- A camera tripod so that all of our shots will be steady and thus make our opening two minutes look more professional. The school offers two kinds of tripod, one which has clasps which are released to extend and disassemble the tripod, and one which you twist to tighten and loosed so the tripod can be assembled and disassembled. Both are equally as good a quality. When filming, we must be careful to drop the tripod legs carefully if we wish to extend it as the legs could easily drop right out due to the momentum, so we must guide them out with our hands. To turn the camera once on the tripod, we must twist the large lever to loosen it, more the camera to the desired position and then twist it in the opposite direction to tighten it again. If this is not tightened, the whole base will tilt to the side and the camera could easily fall off and break.
- A table camera dolly, which we will use to make the camera appear as though it is moving through a wall. It is attached to the dolly the same as a camera is attached to a tripod. The angle and position of the base can also to altered so that the camera can face in many directions whilst still moving in the same direction.
- Finally, we will need a large track camera dolly to film any walking shots. The track is made up of several large tubes and some smaller, plastic connecters. The track can be as long or as short as needs be, so that we can tailor the length of the shot to the space it will be filmed in. The dolly then sits on top of the track and is pushed forwards or backwards. The tripod sits on the dolly, with each of the three legs in three of the 5 indents. There are more intents than needed so that we can adjust the height that the dolly shot will be filmed on. We must be careful to push the dolly at a consistent speed, or else the shot will very quickly begin to look unprofessional.